CREDITS
COMPLETE CREDITS AND INFORMATION ON ARCHIVE MATERIAL
Archive material ©℗Oxford Revue, aside from the following.
All audio interviews ©℗Rain Stops Play. 'Newspaper Sky' courtesy of and ©Annabel Leventon. 'Isn't It Disgusting' by Terry Jones – usage here within fair use. ‘My Penis Can Sing’ courtesy of and ©Richard Herring. ‘Geoff’s Song’, 'No Land Like Poland' and 'Recipe For Love' courtesy of and ©Philip Pope/Richard Curtis.
‘Intro’ extract (1950s) licensed from Kinolibrary.
Crime of Your Life (1955) courtesy of and ©℗Oxford Experimental Theatre Club.
Beyond The Fringe ‘Take A Pew’ script © and courtesy of Alan Bennett. Beyond The Fringe ‘Heat Death Of The Universe’ script © and courtesy of Rachel Miller (estate of Sir Jonathan Miller). Mono recording of Beyond The Fringe (1961) in public domain within United Kingdom.
Seven A Side (1965) ©℗Oxford Experimental Theatre Club/Oxford Revue. Permission courtesy of Oxford Experimental Theatre Club.
You Can’t Do Much Without a Screwdriver (1965) courtesy of and ©℗Oxford Experimental Theatre Club.
Four Degrees Over (1966) by Adele Weston, Sir Bob Scott, David Wood and John Gould. Courtesy of and ©Noel Gay Music Co Ltd., a Wise Music Group company. ℗ and courtesy of Parlophone Records Ltd., a Warner Music Group company.
Inferiors (1979) ©℗Oxford Revue/Rowan Atkinson/Richard Curtis. Permission courtesy of Rowan Atkinson and Richard Curtis.
‘The Schoolmaster’ (1979) script by Richard Sparks. Secret Policeman's Ball 1979 extract courtesy of and ©℗Amnesty International – donate at https://www.amnesty.org.uk/giving/donate/give.
Radio Active (1981) courtesy of and ©℗Angus Deayton, Helen Atkinson Wood, Michael Fenton Stevens, Philip Pope, Richard Curtis and the estate of Geoffrey Perkins.
‘Meaningless Songs (In Very High Voices)’ and ‘Heugh!’ courtesy of and ©The Hee Bee Gee Bees/Richard Curtis - ℗ and courtesy of The Hee Bee Gee Bees.
The Jazz Cellar Tape CD (1989) courtesy of and ©Stewart Lee - ℗ and courtesy of Go Faster Stripe.
Tony Brennan stand-up (1989) courtesy of and ©℗Marketa Brennan (estate of Tony Brennan). ‘Thank You For The Music’ by Benny Anderson and Bjorn Ulvaeus. ‘Thank You For The Music’ ©Polar Music International AB, a Universal Music Group company.
‘Fugue for Guilty Feet’ (2008) courtesy of and ©℗Frisky and Mannish. The piece is a mash-up parodying and humourously critiquing multiple works, and is thus legal in the UK as of 2014 (Deckmyn v. Vandersteen, 2014, para. 33). Short copyrighted extracts from other works are also legally used here as part of a larger pastiche work [source]. 'Careless Whisper' by George Michael and Andrew Ridgeley. 'Careless Whisper' ©WB Music Corp. o/b/o Morrison-Leahy Music and Chappell and Co o/b/o Wham Music Ltd.
Comedy Debate extracts (2007, 2008, 2009, 2010) courtesy of and ©℗Cambridge Union Society. Distributed on the Internet Archive under the license Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales (CC BY-NC-ND 2.0 UK).
'Gap Yah' (2010) courtesy of and ©℗Matthew Lacey 2009. All Rights Reserved.
‘The Oxford Revue: Playhouse preview’ extract (2013) courtesy of and ©℗Oxford Student Publications Ltd.
Some musical tracks in 2015-2022 exhibit by Kevin MacLeod, available under the Creative Commons Attribution 3.0 Unported license.
'An Oxford Revue poster gets kissed' courtesy of and ©℗Rain Stops Play.
The Oxford Revue Strikes Back (2023) ‘Shit Apartments’ and ‘If You Go Into The City’ ℗Oxford Revue/Garfunkel. Jazz improvisations in ‘Leather Jacket’ and ‘Skits’ ©℗Garfunkel. Permission courtesy of Garfunkel. ‘Skits’ narration courtesy of and ©℗Richard Herring.
'A New Hope and End Credits' by John Williams. 'A New Hope and End Credits'©Bantha Music and Warner/Chappell Music.
City 2023 recordings (2023) courtesy of and ©℗Caitriona Dowden/Jacob Freda/Jamie Mykaela/Jennifer Zheng/Nate Kitch/Stephen Catling/Tabitha Minson.
Thomas Lehrer material (1959, 1960) and recordings released into public domain (https://tomlehrersongs.com/). Arran Birks material (2019, 2022, 2023) courtesy of and ©℗Larryland Films.
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Archive images ©Oxford Revue/Rain Stops Play, aside from the following.
Oxford 1950s, 1960s, 1970s and 1980s establishing photography, and Monty Python photography, licensed from Alamy Ltd.
Oxford 2000s establishing photography by 'Man vyi', available under the Creative Commons Attribution-Share Alike 2.0 Generic license.
Oxford 2010s establishing photography by 'DoubleGrazing', available under the Creative Commons Attribution-Share Alike 4.0 International license.
E.T.C. and Etceteras poster design courtesy of and ©Oxford Experimental Theatre Club.
Radio Active poster design courtesy of and ©Angus Deayton, Helen Atkinson Wood, Michael Fenton Stevens, Philip Pope, Richard Curtis and the estate of Geoffrey Perkins.
Seven Raymonds poster design courtesy of and ©Emma Kennedy.
Dudley Moore, Beyond the Fringe Broadway and Tom Lehrer photography in public domain within United Kingdom ('rule of the shorter term' in relation to United States work copyright protection).
Alan Bennett photography by Allan Warren, available under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Hang Down Your Head and Die photography courtesy of and ©Studio Edmark.
William Hewison Punch illustration licensed from Punch Cartoon Library/TopFoto.
Seven A Side cover photography courtesy of and ©Gillman & Soame.
1975-1981 photography and poster design courtesy of and ©Paul Yule/Berwick Universal Pictures (https://www.paulyule.com/shop/rowan-atkinson-book/).
Geoffrey Perkins photography by Open Media, available under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Tony Brennan photography available under the Open Government License v3 [source].
Written source credits in text, barring some contemporary press extracts - these were sourced from the personal archives of David Wood and Angus Deayton.